Some of you may know that I recently redesigned this web­site and my whole per­sonal brand along with it—actually it hap­pens pretty often. As my design knowl­edge grows my old attempts become obso­lete, so I redesign. This new iden­tity is a much more com­plete package. I’ve gone fur­ther than just designing a logo and web­site. My new iden­tity is applied to everything—as it should be.

My new logo was the starting point for the new look. I first encoun­tered it while watching Triumph of the Will and I fell in love imme­di­ately. (Or at least after the couple sec­onds it took me to realize it wasn’t a weird “G”.) While based off the Fraktur style of let­tering, that one is custom made and I took a few lib­er­ties to make it more dynamic.

Another source of inspi­ra­tion for the new design was the accom­pa­nying League Gothic type­face. I already had a thing for Gothic sans serifs and since Typekit makes the process so easy, I couldn’t resist. I also like the coin­ci­dence of both Frakturs and Gothic sans serifs being called, well, “gothic” (hence the title of this post).

Picture of my portfolio and leave-behind.

With the new iden­tity made, I decided it was time to make my first printed port­folio. I kept the out­side of the port­folio very simple—just black museum board with a wire-o binding—so that the work doesn’t have to com­pete for atten­tion. The wire-o binding is impor­tant because it makes it very easy to update as I add and remove work. Just print, cut and rebind. For a little extra classi­ness I made mini ver­sions of my port­folio to leave with the inter­viewer as well.

Picture of my iPhone wallpaper.Picture of my iPhone home screen icon.

In my excite­ment I’ve even gone as far as to setup my iPhone with a matching back­ground and icon—the kinds of little things no one will ever notice.

So what do you think of the new iden­tity? Got any other tiny place I can apply it that no one will notice? I’d love to hear your feed­back in the comments.